The Beatles Jam, June 24th at The Waiting Room, Rahway NJ,

The Waiting Room of Rahway, NJ and ZT Amplifier’s 200 Watt Lunchbox Combo Amps are pleased to announce that they will be hosting The Beatles Jam. The Beatles Jam has been set for Wednesday June 24th! The Jam starts at 8:00 PM and ends at 11:45PM.

The Beatles Jam is a monthly OPEN MIC NIGHT that is exclusively dedicated to the songs of The Beatles. Any Band, Musician, Singer or Fan of the Beatles and their music are invited to participate in this unique evening of Great Food, Spirits and Music.

All performers will receive photographs, audio & video of their performance, for use on their MySpace, Facebook sites or Website. Time slots are reserved on a first come first serve basis. Reservations are recommended! Each participant will be limited between 4-5 Songs of their choice depending on the turnout.

The last 45 minutes of the evening will be dedicated to a Group Beatles Jam for anyone to participate. Participants can bring instruments but are asked to use The ZT Amplifier’s 200 Watt Lunchbox Combo Amps The Official Amp of The Beatles Jam. All Sound and PA system will be provided. Drummer and Drum will be supplied. If you are a drummer please contact Vince Cartier, to make arrangements for your kit.
For more information or to sign up call 201.323.2899 or email vcartier@verizon.net. You can also call The Waiting Room, 732-382-0900. The Waiting Room, 66 E Cherry Street, Rahway, New Jersey. http://thewaitingroom.us/. www.ztamplifiers.com

Bruce Springsteen, Born in the USA, 25 Years Old Today

Bruce Springsteen on ‘Born in the U.S.A.’

by Larry Rodgers – Jun. 4, 2009 11:22 AM
The Arizona Republic

June marks the 25th anniversary of the release of Bruce Springsteen’s “Born in the U.S.A.” album, the work that catapulted him to rock superstar status.

The New Jersey rocker had broken through to mainstream America nine years earlier with his “Born to Run” album, but it was not until hit the gym to get buffed up and showed off his rear end in Annie Leibovitz’s famous cover photo for “Born in the U.S.A.” that he became an American pop icon.

The video of Springsteen performing “Dancing in the Dark” and pulling a “random fan” (pre-”Friends” actress Courtney Cox) onstage to tango made the singer an MTV mainstay.

Here are some insights into the album, courtesy of Springsteen’s 1998 book, “Songs:”

Genesis – In 1981, Springsteen was asked to write some music for a film by Paul Schrader called “Born in the U.S.A.” One day, when Springsteen was working on a song titled “Vietnam,” he glanced at the script and sang the title. He intended to use the song on 1982’s “Nebraska” album, but ended up using it as the title song for his 1984 CD.

Somber stuff – While politicians and sports teams have attempted over the years to use the album’s title track in a rah-rah, patriotic sense, Springsteen says that wasn’t his intent.

“The lyrics dealt with the problems Vietnam vets faced when they came home after fighting ‘the only war that America ever lost,’ ” Springsteen writes. “In order to understand the song’s intent, you needed to invest a certain amount of time and effort to absorb both the music and the words.”

Trick or treat – “For years after the release of the album, at Halloween,” Springsteen says, “I had little kids in red bandanas knocking on at my door . . . singing, ‘I was born in the U.S.A.’ They were not particularly well-versed in the ‘Had a brother at Khe Sahn’ lyric.”

That line drives home the song’s serious side: “Had a brother at Khe Sahn, fighting off the Viet Cong / They’re still there, he’s all gone.”

Double-edged sword – Springsteen writes about the contrast between the stark, acoustic “Nebraska” album and “Born in the U.S.A.,” full of the energetic pop of songs like “Glory Days,” “Cover Me” and “No Surrender.” Some fans who love “Nebraska” think he got too commercial with “Born in the U.S.A.”

“On one hand, I’d learned how pop and pop image is perceived,” he says. “On the other hand, I wouldn’t have made either of those records differently.”

Mixed feelings – Springsteen perhaps adds fuel to the debate about the two albums when he writes that he feels “Nebraska” contains some of his strongest writing, while “Born in the U.S.A.” didn’t necessarily follow suit.

” ‘Born in the U.S.A.’ (the song) more or less stood by itself,” he writes. “The rest of the album contains a group of songs about which I’ve always had some ambivalence.”

Making the cut – Springsteen says he planned to keep “No Surrender” off the album because “you don’t hold out and triumph all the time in life.”

“You compromise, you suffer defeat; you slip into life’s gray areas.”

But his longtime right-hand man, guitarist Steven Van Zandt, convinced Springsteen otherwise.

“He argued that the portrait of friendship and the song’s expression of the inspirational power of rock music was an important part of the picture,” Springsteen writes.

Single focus – When producer Jon Landau suggested that Springsteen needed a strong single for the album, the singer wrote “Dancing in the Dark,” with some trepidation.

“It went as far in the direction of pop music as I wanted to go – and probably a little farther,” he writes.

But he also remarks, “My heroes, from Hank Williams to Frank Sinatra to Bob Dylan, were popular musicians. They had hits. There was value in trying to connect with a large audience.”

Ramifications – Despite what he calls the “grab-bag nature” of the album, Springsteen acknowledges its powerful effect on his career.

” ‘Born in the U.S.A.’ changed my life and gave me my largest audience,” he writes. “It forced me to question the way I presented my music and made me think harder about what I was doing.”

Bruce Springsteen, Beatles Jam, The Waiting Room, Rahway, NJ June 24th

The Beatles Jam Comes to Rahway!

 

The Waiting Room and ZT Amplifier’s 200 Watt Lunchbox Combo Amps are pleased to announce that they will be hosting The Beatles Jam. The Inaugural Waiting Room’s Beatles Jam has been set for Wednesday June 22!  The Jam starts at 8:00 PM and ends at 11:45PM. 

 

The Beatles Jam is a monthly open mic night that is exclusively dedicated to the songs of The Beatles. Any Band, Musician, Singer or Fan of the Beatles and their music are invited to participate in this unique evening of Great Food, Spirits and Music.

 

All performers will receive Photographs, Audio & Video recordings of their performance, for use on their MySpace, Facebook sites or Websites.  Time slots are reserved on a first come first serve basis. Reservations are recommended! Each participant will be limited between 3-4 Songs of their choice depending on the turnout. 

 

The last 45 minutes of the evening will be dedicated to a Group Beatles Jam for anyone to participate.  Participants can bring instruments but are asked to use The ZT Amplifier’s 200 Watt Lunchbox Combo Amps and PA system that will be provided.  Drums will be supplied. 

For more information or to sign up call 201.323.2899 or email vcartier@verizon.net The Waiting Room , 732-382-0900. The Waiting Room, 66 E Cherry Street, Rahway, New Jersey.  http://thewaitingroom.us/  www.ztamplifiers.com

WaitingRoomJamZTFlyerJune2009

Published in: on June 1, 2009 at 12:59 pm Leave a Comment
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Bruce Springsteen, Caught After 30 Years: The Man Who Conned Springsteen and The Triads

 

  • Sandra Laville, crime correspondent
  • guardian.co.uk, Friday 29 May 2009 21.55 BST
  •  

    For more than three decades he left a string of casualties from China, through Europe and to America. He was wanted by the FBI, the Inland Revenue, the French police and the Triads. Each time he was on the verge of being discovered he slipped the leash, leaving those he had duped believing – in the words of his most famous victim Bruce Springsteen – that he was born to run.

    Bruce Springsteen arriving at the high court in London in a legal battle against Robert Tringham over the rights of his album Before the Fame. Photograph: Photo News Service/Rex Features

    Bruce Springsteen arriving at the high court in London in a legal battle against Robert Tringham over the rights of his album Before the Fame. Photograph: Photo News Service/Rex Features

    But in a Los Angeles Court the extraordinary criminal career of Nottinghamshire-born Rodney D Tringham finally appeared to be over.

    Joseph Akrotirianakis, assistant US attorney, applied for 64-year-old Tringham to be detained in prison over a massive Ponzi investment fraud which totals more than $14m and could see him jailed for the rest of his life.

    To victims in his native Britain, the news that the authorities had finally caught up with Tringham was met with delight and relief. For decades Tringham had persuaded people to part with millions in property schemes, music ventures and financial deals which never existed.

    Prominent amongst his victims was Springsteen, who travelled to the High Court in London to fight Tringham after the conman released two unauthorised CDs of his music. The rock star was seeking £2m in damages from him, and in 1998 after a two year battle, the court found in his favour. Shortly afterwards, Tringham did a disappearing act.

    “He is a genius really,” said Doug White, who was conned out of £150,000 by Tringham after being persuaded to set up a property company developing land in Florida for luxury waterfront apartments.

    “He finds a market where people want to make money quickly and prices are rising. He offers the quick big deal but provides all the paperwork, the lawyers, the documents to make you feel comfortable about it. Then when you want to find him and ask where your money is, he’s gone.

    “Loads of people went after him, even the Chinese Triads were looking for him at one time and we found out there was an extradition warrant on him in France.”

    White spent six years pursuing Tringham, and eventually employed a private detective who tracked him down to a Manhatten apartment.

    As his agent was about to serve a writ on Tringham he bumped into FBI officers who told the writ server they had the conman under surveillance.

    In 1989 Tringham had been convicted of 13 counts of deception, forgery and fraud – but somehow managed to make all reference to his criminal record disappear.

    Born Rodney on 4 May 1945 in Baslop, Nottinghamshire, he set up home with his family in Knebworth, Hertfordshire, and used the name Robert and other aliases to travel freely in and out of the US, returning to the UK to carry out more cons to fund his lifestyle.

    White eventually got his money back, sueing the UK firm of solicitors who advised Tringham. But while he was pursuing him, Tringham was busy moving from Florida to California to set up a whole new fantasy world.

    From around October 2005, Tringham was setting himself up as a licensed securities dealer, except he was not licensed and did not own the companies he claimed to be running, US documents state.

    Purporting to be the chief executive officer of First National Bancorp (FNB) he spent three years pursuading people to invest millions of dollars to trade in bonds. Investors were given websites to access their accounts, promising 4% or better on each trade.

    But the money the investors saw increasing in their accounts was simply that of other victims being moved around by Tringham to faciliate the con.

    Instead he used the $7m he earned from the scam to buy a luxury home, cars, clothes and fund his glamorous lifestyle in Diamond Bar, a suburb of Los Angeles.

    He did the same with another company Finbar Securities Corp, claiming he was registered by the Securities Exchange Commission, the equivalent to the UK’s Financial Services Authority, and promising returns of 30% a year. In this scam he conned American and European investors out of $6.4m.

    Tringham appeared today in a court in Los Angeles seeking bail as he awaits trial on an 11-count indictment for fraud. Akrotirianakis applied for him to be detained indefinitely.

    Back in the UK one victim – who would not be named – was surprised to hear of Tringham’s name again.

    “There were so many people out to get him I really thought he’d be dead by now,” he said.

    Bruce Springsteen: Closes Out Tour With Hometown Marathon

    Rolling Stone Presents!

    Andy Greene

    After a rousing version of “American Land,” Bruce Springsteen & The E Street Band’s Saturday night show at the Izod Center truly seemed over. By this point the band had played for three consecutive hours, with a mind-blowing set loaded with rarely played fan favorites from his 1970s catalog. It seemed like the end, but as the band returned to their stations for two more songs Springsteen roared: “The turnpike is closed. Nobody goes home!”

    You won’t see many concerts with an “Attorney General Will Call Line,” but a ticketing snafu led to thousands of consumer complaints that eventually lead to many aggrieved fans getting tickets through a special lottery. The incident was even the talk of Congress. People really wanted into this show, and Springsteen did everything he could to make it special. He began deviating from the handwritten set list early on, calling for the Darkness On The Edge of Town gem “Something In The Night,” which was an early emotional highlight.

    During the fan request portion of the evening, he played the Born In The USA track “Cover Me,” a powerful version of “Thunder Road” and the rarely performed “E Street Shuffle.” The latter was one of three songs from his 1973 disc The Wild, The Innocent and the E Street Shuffle — the others being “Kitty’s Back” and “Incident On 57th Street,” which was a last second switch for the set listed “I’m On Fire.” “This is for Jersey,” Springsteen said before playing what might be a definitive version of the street opera with a beautiful coda by pianist Roy Bittan.

    The tour is ostensibly in support of Springsteen’s new album Working On A Dream, but only three of the 26 songs were from the disc were played. It’s a shame because the two back-up singers he brought in to recreate the album’s rich harmonies are now left with a reduced role. One can assume Springsteen made this call because his catalog addresses the economic meltdown much better than an album about relationships. The hard times are addressed directly with a block of songs mid-show that includes “Johnny 99″ (about a man reduced to crime after losing his job), “Seeds” (about family forced to live in their car) and “The Ghost of Tom Joad” (about the last depression). In the encore they covered the 1854 Stephen Foster tune “Hard Times Come Again No More,” which finally allowed backing singers Curtis King and Cindy Mizelle to cut loose.

    Springsteen tours don’t usually hit highs like this until the end, but the band has essentially been on the road since September of 2007. By this point they are capable of playing anything Springsteen throws at them – from obscure albums tracks to a cover of “Mony Mony,” which closed the show out. The countless fans shut out of these Jersey shows will have another chance in the fall, since Springsteen is doing three nights at Giants Stadium shortly before they implode the place. Said Springteen: “Before they bring the wrecking ball we’ll bring the wrecking crew.”

    Bruce Springsteen, More Springsteen Ticket Woes in NJ

    Compiled by DAVE ITZKOFF
    Published: May 28, 2009

    The attorney general of New Jersey has filed charges against three ticket resellers, saying that the companies were offering to sell tickets to coming Bruce Springsteen shows that had not yet gone on sale, The Star-Ledger of Newark reported. The attorney general, Anne Milgram, filed lawsuits on Wednesday in Essex County Superior Court against Select-A-Ticket, Orbitz Worldwide and TicketNetwork. The companies were selling tickets at several hundred dollars above face value to Mr. Springsteen’s concerts on Sept. 30, Oct. 2 and Oct. 3 at Giants Stadium in East Rutherford, N.J. Those tickets are scheduled to go on sale on Monday. In addition, Orbitz was charged with selling tickets to sections of Giants Stadium that do not exist. In February Ticketmaster agreed to change its sales policy when more than 2,000 fans of Mr. Springsteen complained to the New Jersey attorney general’s office that when they attempted to buy tickets from Ticketmaster.com, they were redirected to Ticketsnow.com, a resale site owned by Ticketmaster.

    Bruce Springsteen, A Hard Charger Preaches From a Bully Pulpit

    Published: May 22, 2009

    NY Times; Music Review | Bruce Springsteen and The E Street Band

    EAST RUTHERFORD, N.J. — Reclaiming the Izod Center stage for his encore on Thursday night, Bruce Springsteen paused for what seemed at first like a spontaneous reflection. “We’ve played here at the Meadowlands many, many times,” he said. High above the crowd, directly within his sightline, a banner provided specifics: “56 Sell-Outs.”

    Then, without missing a beat, Mr. Springsteen struck a pitchman’s tone: he and the E Street Band would return to the complex in the fall “to say goodbye to old Giants Stadium.” (Those dates are Sept. 30 and Oct. 2 and 3; tickets will go on sale June 1.) “Before they bring the wrecking ball,” he crowed, “the wrecking crew is coming back!”

    It was a plainly triumphant declaration, if a mildly awkward one, coming as it did before “Hard Times Come Again No More,” the Stephen Foster song that has led off every encore on the E Street Band’s current tour. “There are many, many people truly struggling in these times,” Mr. Springsteen said by way of introduction, even as some in the audience were no doubt still making mental adjustments to their fall concert budgets.

    Bruce Springsteen and the E Street Band, working the crowd at the Izod Center on Thursday night. This leg of the band’s 2009 tour ends on Saturday night.

    Bruce Springsteen and the E Street Band, working the crowd at the Izod Center on Thursday night. This leg of the band’s 2009 tour ends on Saturday night.

    But the song, which began in something approaching an a cappella gospel style, got the show back on track. The sober solicitation of its lyrics — “Let us pause in life’s pleasures and count its many tears,” as one line goes — echoed the evening’s staunchest theme.

    Mr. Springsteen has long been a champion chronicler of the hard-bitten and the luckless, and the self-directed spokesman for an idealized American conscience. Here, when it was time to charge through “Working on a Dream,” the title track from his most recent album, he literally sermonized, adopting a revivalist preacher’s tone.

    “We’re going to build a house!” he barked, soon adding: “We can’t do it by ourselves!”

    Then came a segue into “Seeds,” an old song that found new life on this tour, probably for topical reasons. Its lyrics depict an oilman brought to ruin, but Mr. Springsteen slyly widened his scope.

    “The banker man said, ‘Sorry son, it’s all gone,’ ” he sang, naming a previously unspecified villain. The next song, “Johnny 99,” felt even more resonant, opening on the image of a shuttered auto plant and building up to this pitiful cry: “The bank was holding my mortgage, they’re coming to take my house away.”

    The band worked admirably on these and other tough-minded songs, with a fine, chugging fury. And there was news in that regard: as in some other recent shows, the drum chair was occupied not by Max Weinberg but by his 18-year-old son, Jay.

    The substitution went off without much of a hitch, even if the younger Mr. Weinberg has yet to find the deeper currents of the group. At times he got carried away by his own fills, landing slightly late on a downbeat crash. But his pounding energy was the right sort of fit.

    And, perhaps unintentionally, he helped nudge the band toward a renewed set of priorities: grittiness over glossiness, looseness over exactitude, vitality over just about everything else. Strikingly, as a consequence, there were a few flubbed parts and missed cues.

    But the general impression was arresting and potent, beginning with the example of Mr. Springsteen. He gave his usual force-of-nature performance, barreling through some tunes and savoring others, with strategic pockets of space cleared for crowd singalongs.

    This leg of Mr. Springsteen’s tour ends here on Saturday, before a two-month stretch in Europe and eventually his Meadowlands return. At that point the band will be sending off a structure destined for rubble, a hulk with a glorious history but no future. A character, in other words, right out of a song.

    Bruce Springsteen and the E Street Band perform on Saturday at the Izod Center in E. Rutherford, N.J.; sold out.

    Bruce Springsteen, A boss gig? Bring it on! Kasabian Hope to Seduce Bruce Springsteen’s Fans at Glastonbury

    For swashbuckling Leicester rockers Kasabian, the call came out of the blue, and the offer was one that they simply could not refuse. The group were already gearing themselves up for a busy summer, with a new album, their own headline tour plus a series of stadium shows with Oasis and the Enemy.article-1189322-05203209000005DC-554_468x447

    But the chance to shine as the main support act for Bruce Springsteen’s hotly anticipated appearance on the main stage at Glastonbury was impossible to resist.

    ‘It gives us an unbelievable opportunity,’ says Tom Meighan, the band’s hyperactive frontman. ‘We weren’t going to do any outdoor festivals this year, but playing Glastonbury with Springsteen is something different and we’re going to revel in it. 

    For swashbuckling Leicester rockers Kasabian, the call came out of the blue, and the offer was one that they simply could not refuse. The group were already gearing themselves up for a busy summer, with a new album, their own headline tour plus a series of stadium shows with Oasis and the Enemy.

    But the chance to shine as the main support act for Bruce Springsteen’s hotly anticipated appearance on the main stage at Glastonbury was impossible to resist.

    ‘It gives us an unbelievable opportunity,’ says Tom Meighan, the band’s hyperactive frontman. ‘We weren’t going to do any outdoor festivals this year, but playing Glastonbury with Springsteen is something different and we’re going to revel in it. 

    For swashbuckling Leicester rockers Kasabian, the call came out of the blue, and the offer was one that they simply could not refuse. The group were already gearing themselves up for a busy summer, with a new album, their own headline tour plus a series of stadium shows with Oasis and the Enemy.

    But the chance to shine as the main support act for Bruce Springsteen’s hotly anticipated appearance on the main stage at Glastonbury was impossible to resist.

    ‘It gives us an unbelievable opportunity,’ says Tom Meighan, the band’s hyperactive frontman. ‘We weren’t going to do any outdoor festivals this year, but playing Glastonbury with Springsteen is something different and we’re going to revel in it. 

    Springsteen E Street band‘We’ve got a new audience to hit there. I don’t want to sound silly, but it is going to be a spiritual moment. The energy in the place is going to be electrifying.’

    ‘I’m excited, too,’ adds guitarist Serge Pizzorno. ‘At Glastonbury, you need to get to your place early, so there are going to be a lot of people standing in that field waiting for The Boss. They’ll find themselves watching this strange little band from Leicester. And they’ll be saying “Who are these cool cats? They are really good!” That’s the reaction we’re going for.’

    Some bands might be daunted by the prospect of playing second fiddle at one of the rock happenings of the summer, but Kasabian are no shrinking violets. A supremely confident quartet, they have a swagger that sets them apart from their peers. Over-the-top bragging is second nature to them. And they love a challenge.

    Like their soulmates Oasis, they see rock music as a matter of communal celebration and their live shows are raucous, singalong affairs, with the rabble-rousing Meighan playing the role of cheerleader-in- chief. But, according to the singer himself, their self-belief shouldn’t be mistaken for arrogance.

    ‘If you are going to stand up in front of thousands of people, you need to have that belief,’ he says. ‘When a boxer enters the ring, he doesn’t apologise for himself. It’s the same with us.’

    Chatting over lunch at their Wheeler End rehearsal studio in Buckinghamshire, Meighan and Pizzorno cut rather contrasting figures.

    The pair, both 28, have been dubbed Leicester’s answer to Mick Jagger and Keith Richards, although an East Midlands equivalent of Liam and Noel Gallagher is probably a little closer to the mark, with Tom’s tendency to shoot from the hip balanced by the more thoughtful, measured outlook of Serge, who (like Noel in Oasis) is the band’s main songwriter. Any similarities with Oasis are a matter of attitude rather than musical content, however, with Kasabian shunning the Beatles-esque hooks of Britpop for a far more diverse set of rock and dance influences.

    ‘Musically, we’re nothing like Oasis,’ Serge says, ‘and even Noel would admit that. What we share is the same set of values. There’s a realism to what Oasis do and it’s the same with us.

    ‘Liam is a loopy frontman, but he’s also amazing. Tom is the same. I think he’s the greatest frontman of his generation. He is Bowie, Jagger and Freddie Mercury rolled into one. With us, it’s about the euphoria of playing live. When Oasis do a gig, they win over the crowd with their big anthems. We do it by taking our fans on a journey. It’s more about creating and building a mood, the way you might do with great dance music.’

    Having announced themselves with their self-titled debut album in 2004, Kasabian consolidated their reputation with 2006’s million-selling Empire. Now, with their third album, West Ryder Pauper Lunatic Asylum, out next month, they are making their bravest move yet.

    Inspired by Sixties concept albums such as The Beatles’ Sgt. Pepper and the Small Faces’ Ogdens’ Nut Gone Flake, it is an eclectic affair that blends Pizzorno’s fiery rock riffs with experimental flourishes, Mariachi horns and cinematic moods worthy of Ennio Morricone. The band began recording it early last year, with Serge producing the musical blueprint on a laptop computer in his Leicester bedroom after the band had returned from an exhausting world tour.

    ‘We’d been on the road for four years without a real break and I needed to sit down and take stock,’ says the guitarist. ‘I came up with the album title early on. I thought that giving the record a crazy name would give us the freedom to do whatever we wanted. I spent hours working on the tunes at home with a couple of old synths and a guitar. For me, it’s all about the buzz you get at three in the morning, when you come up with a beat and a great chorus.’

    Having met at Countesthorpe Community College, on the outskirts of Leicester, Tom and Serge started the band – who also feature bassist Chris Edwards and drummer Ian Matthews – in 1999.

    Inspired by the energy of the Britpop era, they gigged locally while making ends meet with a series of day-jobs – Tom working in the now-defunct Dr Martens factory in Leicester before becoming a sheet metal driller.

    ‘Musically, the country was buzzing and we felt that we could do anything,’ Serge recalls. ‘We were naive and childish, but we grafted until we got somewhere. I always believed it was going to happen for us. Even when people didn’t seem too bothered – and there were plenty of them – I knew we’d find a niche.’

    After securing a deal with Sony Music in 2003, the band members left home to live in isolation in a converted farmhouse at nearby Rutland Water. It was, Serge recalls, a chaotic period.

    ‘We wanted somewhere where we could be together to make our first album,’ he says. ‘We existed on super-noodles, toast, pizza and Walker’s crisps. It wasn’t exactly healthy living. But it was an intense period. We were a bunch of ordinary lads from Leicester living in a farmhouse and having a brilliant time.’

    Now, five years on, the band take a more considered approach to the routines of the rock business. As Tom puts it, they ‘pick their battles’ more carefully these days. Their propensity to wreak havoc onstage remains, though. Launching the new album with a gig in London last week, the band took to the stage in the grandest possible manner.

    Picked out by searchlights, they emerged from a fog of dry ice and plugged in their instruments, only for their triumphant opening chords to be cut short when the power failed.

    Even that wasn’t enough to dent Meighan’s comedic swagger. The frontman simply took a slow, theatrical bow, punched the air and walked off. Returning minutes later, he went on to perform with even more abandon than usual.

    ‘We’re a proper rock band,’ he says. ‘Too many groups just churn out pop hits to make money. Not this lot. We’re one of the last groups on the planet with real enthusiasm.’

    Kasabian’s new single, Fire, is out on Columbia on Monday. The album, West Ryder Pauper Lunatic Asylum, follows on June 8. Their UK tour starts tonight at De Montfort Hall, Leicester. They are also playing Glastonbury. For more details, visit kasabian.co.uk.

    Bruce Springsteen, Glastonbury Boss Reveals How The Boss Was Persuaded to Play

    Emily Eavis says she gave The Boss a special document

     

    Glastonbury festival organiser Emily Eavis has revealed that she had to write a special document to persuade Bruce Springsteen to make his first festival appearance at the Somerset bash next month.09128_133038_brucespringsteenPAfestrate_

    Eavis explained that Springsteen’s agent had never heard of the Worthy Farm event before, so Eavis had to construct a document featuring glowing quotes from past headliners to persuade him to accept the booking.

    “It’s been our mission for quite a long time to get Bruce,” she told BBC 6music. “I thought it was quite unlikely, especially when the agent said, ‘Glaston-what?’

    “We put together a document for him and spoke to his people a lot and they are really up for it. He’s never done a festival before so we didn’t expect him to know much about it. It included quotes from lots of different people, musicians who have played.

    “It’s quite hard to understand why you should play a festival for not much money when you’re being offered quite a lot to go elsewhere.

    “We put together some information and said ‘This is what happens, this is all the money that goes to charity’. Pretty quickly he said: ‘Yes’. It’s amazing.”

    Bruce Springsteen will headline the Pyramid Stage on the Saturday night (June 27) of the festival.

     

    Bruce Springsteen, Giants Stadium Shows; Floor All GA Standing Room Only

    Looking forward to getting a good field seat for Bruce Springsteen’s three upcoming Giants Stadium shows? Forget about it, as the entire field will be general-admission standing.

    If you want to be on the field to see Bruce Springsteen at Giants Stadium this fall, you'll have to stand for the entire show. Photo by Ron Ring

    If you want to be on the field to see Bruce Springsteen at Giants Stadium this fall, you'll have to stand for the entire show. Photo by Ron Ring

    According to a post on the Izod Center’s website and the Ticketmaster seating chart, the entire field at Giants Stadium will be general-admission standing for Springsteen’s Sept 30 and Oct. 2-3 shows.

    This is a big change from past Springsteen shows at Giants Stadium. The three shows last summer and the 10 shows in the summer of 2003 had a pretty large general-admission pit toward the front of the stage, but also had thousands of seats on the field.

    The two U2 shows at Giants Stadium in September also have no seats on the field, it’s all standing.

    Since The Rising Tour in 2002, Springsteen has used a general-admission floor. It works well in an arena, with a lottery at 5:15 p.m. or so determining which fans get in the pit and the order they are allowed in.

    A stadium is quite different though.

    In Europe, it is common practice for the entire field (the pitch) to be standing-room only. Some Springsteen fans have lined up a week in advance to get a coveted spot at the front of the stage.

    But it will be the first time the entire field has been general admission for a Springsteen show at Giants Stadium or any other stadium in the United States over the years.

    It will be interesting to see how the Springsteen camp will handle the people with general-admission tickets. They should let fans know their plan before tickets go onsale Monday

    Will there be a pit up front, like the arenas, separating the front section?

    Will admission to the floor be first-come, first-serve where fans may line up for days in advance?

    Will there be some sort of “random” system like U2 has used in the past to determine who gets into the front section?

    Will there be a lottery, as used at the arenas, and if so, will they have enough staff to accomodate thousands of people who may be in the lottery?

    Two shows at Hershey Park Stadium (May 15, 2009 and Aug. 19, 2008) in Hershey, Pa, had a huge general-admission area on the floor (as well as seats) and it was dangerous at times with thousands of fans lining up before and after the lottery. There were 2,300-plus fans in the lottery two weeks ago and it was scary for a time, with a major lack of communication and fans threatening to crash the gates.

    Hopefully the staff at Giants Stadium has enough experience that they will be able to handle whatever is determined for the floor general admission.

    But the fans should know how it’s going to work before they purchase a general-admission ticket on Monday.